Tag Archives | photography by tasha chawner

inside my camera bag

This is a post I’ve been meaning to do for forever, so finally I am sharing with you (most) of what is inside my camera bag and where I work.

my gear & bag

canon eos 7dii and 550d

  1. Canon 7D Mark II: it was an agonising decision to go with this camera body, as I’d been contemplating purchasing a mirrorless camera for their (light) weight.  In the end, though, the 7D won out as I already owned Canon lenses and didn’t want them to collect dust.  Plus the 7D is excellent in low light, which makes it the perfect camera for photographing events in the school hall.
  2. Canon 550D: my original baby.  I pushed this unit to its limits before upgrading to the 7Dii.  Now it’s the camera that my son picks up to practise his photography with and the one I loan to friends when they need a larger camera than their phone.  It’s still in perfect working order and I always have this one charged and ready to go when I’m on a shoot – just in case!

canon camera lenses

  1. Canon EF-S 55-250mm: one of the original kit lenses that came with my 550D, the zoom mechanism is completely flogged out because this was my go-to lens for a long time.  I keep it in my bag because it comes in handy for photographing sports days at school.
  2. Canon EF-S 18-55mm: the other kit lens from my 550D.  It doesn’t get used all that often anymore.
  3. Canon EF 50mm 1.8: the nifty fifty. This is the lens that lives on my camera now.  I had a hate/hate relationship with it for a long time as I struggled to find its focal sweet spot, but in 2015 I made the decision to leave this lens on my camera until I mastered it.  It’s the lens I favour for photo shoots, although I’m hoping to upgrade to the 1.4 soon (ideally, I want the 1.2, but don’t know about the price!)
  4. Canon EF 85mm 1.8: I purchased this lens with the intention that it become my go-to lens… Hasn’t happened yet, so I’m thinking of doing what I did with the 50.  Put it on my camera until I master the sucker!
  5. Canon EF 100mm 2.8: I *love* this lens.  If I’m having a particularly rough day, the 100mm goes on the camera and I go into the garden exploring the world in miniature until I calm down.

speedlite 270EX II

I keep a Speedlite 270EX II in my bag as well.  Again, I had every intention of learning how to use it, but preferring to photograph in natural light, I’ve just never really had the need to master the flash.  It’s on my to-do list for this year, though.

blackrapid camera strap

I don’t know how I managed without my Rapid Strap before I bought it!  Lovingly called the Sniper-Strap, I purchased mine after attending a Love Your Camera workshop with Angie Baxter and seeing hers in action.  Since then I’ve bought one for Daughter’s camera as well.  Why do I love my strap so much?  It slings across my body and takes all pressure off my neck when I’m wearing my camera.  I can (and have) literally have my camera on my body all day without it being a nuisance.  Best money I ever spent!

camera accessories

  1. spare memory cards: formatted after each use and ready to go when I pick them up.
  2. lens pen: to keep my lenses and camera body clean and free of gritty bits.
  3. blower pen: great for blowing dust and grit off.

kelly moore camera bag

All of my gear (plus bits and pieces I’ve purchased and never really used… can you say Gary Wong diffuser?!) lives in my Kelly Moore camera bag.  It helps keep the dust off of everything when it’s not in use and protects it when I travel or am at a photo shoot.  It all lives beside the Mercedes I got for my birthday a few years back (the real thing was a tad expensive), and my 2 red hippie camper vans (because one day I’m going to own one and travel around Australia in it!).

my space

photography by tasha chawner work space

This is where I work. I made the decision to purchase an electric standing desk last year because I find that sitting puts too much pressure on my back.  I have a Human Tool Balance Spot anti-fatigue mat that helps to keep me upright and moving and alleviates the pressure on my feet when standing for long periods.

  1. I run a Dell XPS 8700.  It’s a couple of years old now, but still (mostly) working a charm.  Has the odd hiccup, but runs Lightroom (my photo editing software) easily and efficiently.
  2. I moved over to a Wacom Intuos pen and touch tablet a number of years ago.  I use it instead of a mouse as it allows me finer control when editing photos. I still have a touchpad mouse on my keyboard, as every now and again I come across programs that won’t play nice with my tablet.
  3. my Big Picture planner from Design Aglow.  I’ve customised my own weekly to-do list, but love having everything in this folder and at my fingertips.
  4. my Paperblanks journals.  One is for my jewellery design sketches. The other two are used for keeping photography tips and notes, and for sketching out poses for photo shoots.
  5. my creative matra’s for 2017: ‘I am one with the creative flow of life’ and ‘I capture the beauty of life in my art’. are my creative goals for 2017.
  6. my alter.  I keep a Ganesh and Krishna statue at my work space and an amethyst, rose quartz and clear quartz crystal.  They’re there to help me calm and remind me to engage in self-care.
  7. my glasses.  Can’t see sh*t without them anymore, so I need to know where they are at all times.  This is their permanent home when they are not on my face!

So there you have it.

my gear, my bag, my space

I’d love it if you would share a link to photos of your workspace if you have one.  I love being a little voyeuristic and peeking at how others set up their spaces.

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preparation & process: your photography session from start to finish

how your photography session with photography by tasha chawner will proceed

you’ve never had a session before and don’t know what to expect…

…so, I thought I’d outline the process when you book a session with me.

the beginning

You’ve had a look at the portfolio online and decided to get in touch!

Whether by email or phone, now is the time we start to get to know one another. I’ll start by answering any questions you might have about the package you’ve decided to buy.   Then it’s time to get our calendars out to schedule a shoot date.  To secure your date, I need a signed client information and contract form and deposit, and once received your date is locked in.

I’ll follow up this initial conversation by sending you some paperwork. The paperwork states what services I provide to you as the client, the price of your package and important details of my process (turnaround times, studio policies, etc.). I prefer to email it to you so you have plenty of time to read through them.

Two of the most important forms that I’ll need you to attend to straight away are:

1. the questionnaire for you and the family to answer, and;

2. the what to wear guide.

The answers to your questionnaire give me an insight into your family.  Your personalities, what you love doing together and more – little gems that will ensure I can capture your story in an authentic way.  The what to wear guide will take the stress out of deciding what to wear to your shoot. I’ll give you a couple of days to mull this one over before I contact you to see if you need any help.

before your shoot

Communication is key.

I’ll be in touch with you before your shoot to discuss ideas and details, based on the questionnaire that you’ve filled in for me.  I’ll also phone you 2 days before your session to reconfirm your session time and location, and answer any last minute questions you might have.

Before your shoot, I’ll also be doing my own preparation. My main goal is to make you feel comfortable and relaxed in front of the camera, because your session is meant to be fun! I’ll be thinking about how best to photograph you and the family – poses, props, lighting, to name a few.  The day before, I’ll check that all my camera gear is ready to go, memory cards formatted and that I have a water bottle and snacks on hand.  Plus one last check of what the weather will be doing!

your photo shoot

Before I even take out my camera, we’re going to have a chat – “How’s the weather?” and “Did you hear about….!”

When it’s time to start, I’ll let you know what to expect during the shoot. Because your photo shoot is as much about the experience as the resultant images.

All the while I’ll be checking out the location and light.  Next, come the test shots – to check exposure and shadows, expressions and poses – before we start in earnest.  It’s not a race, though, so while I’ll be keeping the pace moving, the whole shoot will have a relaxed and fun feel to it.  With pointers on how to stand and what to do with your hands, I’ll be looking for the real emotions and spontaneous smiles – the elements that make your family who they are.

after your shoot

That’s when my work really begins.

I won’t be able to resist having a look at your photos!  I’ll load them into Lightroom (my preferred post-processing software) when I get home and will immediately make a backup copy of the photos. It would be awful if something unforeseen were to happen and all the images lost – eek!  I will also find one or two images to share with you on my Facebook page straight away.

I like to wait a day or two before going through and choosing the best-of-the-best photos.  Why?  This gives me time to get over the excitement of the session (because I get nervous and excited too!) and allows me to look at your photos with a critical eye.

Then the editing begins, which happens in intervals over the coming weeks.  I allow 3 to 4 weeks for this process, as I am also working around my family and job as a Learning Support Officer.  My editing philosophy is one of less-is-more. Your photos need to be realistic, especially as you are real people (not models in some high-end fashion shoot). I will reduce bags under eyes, whiten teeth, heal temporary blemishes, and remove distracting elements – but am always careful not to take an image too far.  You don’t want to end up looking like a Barbie…

Your photos are then transferred to a USB.  On your USB, there will be two folders – one labelled For PRINT and the other For WEB.  The print images are large files ready for you to take to your favourite print lab and have made into gorgeous photo keepsakes for your walls.  The web images have my watermark on them and are for you to share on your social media sites.   You also receive a colour and black-and-white version of each curated image (unless of course it really doesn’t work for the photo).  And it goes without saying, that I back these files up in a couple of different locations – just in case.

A phone call from me to say that everything is ready to be delivered, and then ta-dah!

memories plus!

So, there you have it – the steps from initial contact to delivery – anywhere from 4-6 hours, depending on the length of your session and how many photos I am delivering to you.  WOW, right?!

In the comments, I’d love to hear:

Did you realise there was this much preparation involved in a photo shoot?  

Photo credit: bessa via photopin (license)

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